The idea at the core of Twirling Moments
Aneesha Thadani & Dev Joshi · Founders
The addresses that have held our work.
Ten countries · A thousand celebrations · One team
Nothing is assembled. Every element — the story, the choreography, the light, the room — is designed as one continuous piece of work.
Every family has its own rhythm. Every couple, its own story. We begin there — before a single step is taught or a note is played.
Choreography. Music. Lighting. Staging. Each element designed as part of a unified emotional arc — not assembled separately.
On show day, our team runs every cue, every transition, every technical element — so you experience the celebration, not the logistics.
From intimate family dances to large-scale productions, only the scale changes. The care behind every detail remains the same.
The questions families ask. Our answers.
Bespoke.
Story-led.
Seamlessly executed.
Designed to be remembered.
Entertainment designers — not just choreographers. We design the full emotional arc of your celebration.
One team from first conversation to final curtain. The same hands that imagine your celebration are the ones that carry it out.
Our work has taken us across the world. India, Istanbul, Cairo, Marrakesh, Vancouver, Muscat, Abu Dhabi, Italy, Dubai.
Story-first. Every performance is built around your family — not a template.
Trusted by planners and families worldwide — and by the ones who send us their closest friends.
The room goes quiet.
That is the moment we design for.
Every celebration we share here is a real family, a real story, and a real decision to trust us with their most meaningful moment.
"We wanted something that felt as significant as the venue. Twirling Moments understood that completely."
A nineteenth-century Ottoman palace on the European bank of the Bosphorus. The bridal entry through velvet curtains with dry ice at her feet — the groom watching from the balcony above. We designed every moment of this weekend to match the venue's gravity.
"The Pyramids were in the background. But somehow, all we remember is the performance."
A full pharaonic temple facade, fire torch performers, Egyptian-costumed processionals. A grand entry that felt like the opening sequence of a film. The Pyramids of Giza as their backdrop — and a couple with the courage to commit completely to a concept.
"Anuj swore he would not dance. He danced for forty minutes. I have it on video and I am never deleting it."
Ochre walls, still water, and the particular silence Amanjena keeps at dusk. A full weekend designed against a resort that refuses to raise its voice — so we didn't either. Every entrance emerged from the colonnade rather than announcing itself; every cue was timed to the light falling off the Atlas Mountains. The restraint was the design.
"My father cried at Mehrangarh, laughed at Balsamand, and danced at Umaid Bhawan. Three palaces, three versions of him."
A carnival inside the ramparts of Mehrangarh. An afternoon at Balsamand where the lake did most of the work. And a wedding at Umaid Bhawan that closed the weekend the way a final movement closes a symphony. Three of Jodhpur's most demanding addresses, three entirely different tempos — and a single continuous story running through all of them.
"My Indian family said it was the most 'us' wedding they had ever attended."
A celebration that honoured Indian roots while being fully present in a new country. The all-red ballroom, the couple's first dance under a ceiling of draping florals — designed to connect heritage with the life they had built together in Canada.
"Half our family had never left India. By the end of the night in Tuscany they were teaching the Italians the steps."
Two countries, six weeks apart, one narrative. Delhi gave us a sangeet with the volume up — full production, full family, full noise. Tuscany asked for the opposite: cypress, low light, and a first dance that needed nothing behind it. The craft was in making the second feel like the resolution of the first rather than a separate event.
Seven categories. A thousand families. Every kind of love.
Founded Twirling Moments in 2010. Femina Miss India production lineage. She has spent her career designing celebrations for families across India and the world. Her eye for storytelling — for finding the emotional truth and building choreography around it — is what makes every TM celebration feel unlike any other.
Seventeen years alongside the leadership of The Times Group and Google, across India, North America and the Middle East — running large media IPs at the scale of stadiums and broadcast. Among them TOIFA, staged in Vancouver and Dubai. He is the strategic and commercial architect behind the studio's growth and its long-term vision.
Tell us who it's for, when it is, and what you're hoping to create. We respond within 24 hours.
Every celebration we take on
gets all of us.